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Franz Xaver Winterhalter Emperor Frederick III oil painting


Emperor Frederick III
Painting ID::  82869
Franz Xaver Winterhalter
Emperor Frederick III
1862(1862) Medium Oil cyf

   
   
     

Franz Xaver Winterhalter Maria Luisa von Spanien oil painting


Maria Luisa von Spanien
Painting ID::  82902
Franz Xaver Winterhalter
Maria Luisa von Spanien
1847(1847) Medium Oil on canvas Dimensions 136 x 215 cm (53.5 x 84.6 in) cyf

   
   
     

Franz Xaver Winterhalter Italienerin mit Kind oil painting


Italienerin mit Kind
Painting ID::  82975
Franz Xaver Winterhalter
Italienerin mit Kind
Date ca. 1836(1836) Medium Oil on canvas Dimensions 80 x 54.6 cm (31.5 x 21.5 in) cjr

   
   
     

Franz Xaver Winterhalter Portrait of Madame Barbe de Rimsky-Korsakov oil painting


Portrait of Madame Barbe de Rimsky-Korsakov
Painting ID::  83068
Franz Xaver Winterhalter
Portrait of Madame Barbe de Rimsky-Korsakov
Date 1858(1858) Medium Oil cjr

   
   
     

Franz Xaver Winterhalter Portrait de l'empereur Napoleon III oil painting


Portrait de l'empereur Napoleon III
Painting ID::  83130
Franz Xaver Winterhalter
Portrait de l'empereur Napoleon III
1860(1860) Medium Oil on canvas cyf

   
   
     

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     Franz Xaver Winterhalter
     German 1805-1873 Franz Xaver Winterhalter Galleries German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.

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